Categories
reflection Uncategorized

winter solstice

Mynydd Llangyndeyrn was misted low into cloud with Westerly sideways-driving rain yesterday evening. No sunset, no once-in-a-lifetime astronomy event, no birds or animals to be seen or heard, only the chance to feel the air, to become cold and wet, to listen to the rain, and to watch the evening greying down to dimness and disappearing.

It was strangely joyful and lovely, and when I got home I was inspired to make home-made mince-pie mix for the holidays, and roasted vegetables for food tonight – just for the pure joy of contrast of cosy-inside-kitchen-world to damp-outside-mountain-world.

As I left the street lights started to come on one by one. I love that moment.

Categories
light photography Uncategorized

on perception : information and noise

These photographs are taken with a mobile phone camera this evening on Mynydd Llangyndeyrn.

In digital photography, something called ‘noise’ appears in photographs taken at low light levels, making the image grainy.

What we are seeing as graininess is randomness in the image. Either the constantly present randomness in photography – a question of which particular light photons hit the camera sensor in the instant that the photograph is taken; or digital randomness caused by electronic noise from the sensor and the device itself. The conditions were dark this evening, therefore my camera was not able to collect a lot of light, so the randomness or ‘noise’ – which is always present – was this evening overpowering the image or ‘signal’, and the photos were grainy.

I am finding that I am very interested in grainy photographs, and have been deliberately making them – and also experimenting with introducing extra noise into videos and images.

I think especially, I am interested in how low light levels start to break down the camera’s ability to make images, and I find it so interesting to compare that with my own gradual loss of vision over a period of half an hour or so, as the night draws across the mountain from the east.

I have recently been doing some reading about vision and perception, and today re-reading and wrestling with a part about information and noise in perception. These walks on the mountain, and the images that I am making are helping me with making my understanding more practical.

One author I am reading, called Mark Taylor, explains aspects of the neurology of perception, and says that in our perceptual processes, information emerges from noise through progressive processes of ‘screening’.

He also says:

“There is no such thing as absolute noise; or, in different terms, chaos is not the complete lack of order but an alternative configuration that generates static for established schemata. Noise is information in the process of formation. What counts as noise and passes for information is relative to the level at which processing occurs.” (Mark Taylor: Refiguring the Spiritual)

The author points out a number of interesting aspects of these screening processes. Firstly, that the unfiltered data (the light in vision), which is not a ‘complete lack of order’, holds patterns that ‘sculpt’ the eye and brain. Secondly, that when information passes through our perceptual and cognitive screens or filters, the filtered parts do not ‘disappear’, but create resonances which ‘cannot be clearly articulated’. The author likens this to a penumbra, the partial or fuzzy area on the edge of a shadow, between shadowed and lit places. Thirdly, the structures of the filter, the structures distributed across the brain, very much influence and determine the perceptual experience – so seeing both takes a little time, and is made possible through accessing and using memory of past experiences.

This gives what I think is a very interesting model of how perception and thinking work, which the author states is very different from the ‘traditional philosophy of the cogito that informs much of modern philosophy.’

It is a model which includes a ‘cognitive unconscious’. (A way of describing these incredibly complex networks and processes of filtering and processing the information (and noise) which happen outside of conscious awareness).

The model is non dualistic – it doesn’t divide things up into mind and matter. It treats the various processes: light, chemical, mental, as similar – ie. as information and screening processes. Consciousness, thinking, is understood in this model as something which is an ’emergent phenomenon’ of these information processes.

Categories
light Uncategorized

on hope

Exploring hope again.

So I am continuing work on my essay, writing about hope in the work of visual artists, but I’m also thinking about hope in my own work. How that might be.

I have started a short writing workshop , and have been introduced to a powerful poem by Denise Levertov, ‘For the New Year, 1981’, starting with the line

‘I have a small grain of hope-‘

The poet also compares hope to a piece from the root of an iris, where she says

‘Please share your fagment
so that yours will grow.

Only so, by division,
will hope increase’

Feeling my way towards the fine-grain texture of things, and the surprise of colour up close, and how that feels like hope.

For example, the flower of gorse in December, how a plant can flare up yellow in the grey-blue dusk light.

Categories
artists books light

a video fragment

A fragment of another book of the dark (video), made on Mynydd Llangyndeyrn.

There is something that I like very much about this one, it may be that what I like about it is that it is so deeply imperfect, to the point of awkward.

A bitter-sharp wind. My hands clumsy, numb fingers sticking out of fingerless gloves, feet stumbling as I was turning.

[To see the best of this video, it helps if you cut down the relflected light in your room].

Categories
light photography

Mynydd Llangyndeyrn

Arriving at Mynydd Llangyndeyrn at quarter past four, and walking the short way up, past the stone circle and the trig point, circling back round. A clear sky and cold today. These photos taken using my mobile phone, near the top. Walking down in the darkening.