Categories
drawing photography

experiments, photos

I’ve made a few experiments in finding out what happens when photographic paper and photographic prints are painted with ink

( the answer? it depends on the ink, and to the extent that I had expectations, its not what I expected …)

Categories
light photography

unscientific observatory

I’ve brought my mountain notebook in from the pocket of the car door, trying to make sense of the evening visits I’ve been making, maybe trying to find a pattern. I’m going to sort through, put the entries next to the photos and videos that I’ve made, see if anything starts to emerge.

On Wednesday evening I videoed a grimy sunset. It lasted longer than I expected. I balanced my phone on top of a stone at the centre of the bronze age burial circle close to the trig point, and which seemed to face into the sunset. All around me was sky and air and Westerly wind, too much of it that evening. I cowered behind the stone and forced myself to watch the sun slip right down to nothing, and meanwhile the wind numbed my exposed fingers to the bones.

I wrote quite a bit in my notebook back in the car, including that I saw

“clouds pillowing and piled up high, salmon and gold, south leaning. Distances disappearing out to smeary grey. Dirty sun set over the sea, slipping into fog.”

This evening it was warmer, soft rain came after the sunset. I wrote in my notebook

“The sea a shell bright line, pink and soft. Light filling the hollows of the land… Afterwards a soft rain, not cold. Two ravens on the wires.”

I went to the same stone circle, this time with a compass app installed on my phone (it didn’t seem very convincing). I found that the central stone, and also a large single standing stone further down are both aligned roughly the same, one ‘facing’ and one ‘pointing’ towards Caldey Island, just South of West.

(Or the first stone could be facing North of East, but the second stone is far below the brow of the hill, and in a shallow West-facing valley; so if its facing anywhere, it can only be to the South West).

I’d like to guess that the two stones are aligned the same, and for a reason, possibly to point to Caldey, or maybe to align with the direction of the sunset at the winter solstice, which I think might be that way. But I’ll have to get a better compass and consult with an astronomer, or otherwise wait at least eleven months to check, since I did not do it this year. I can at least say that there was no sunset this year at the solstice, only grey misty cloud and according to my mountain notebook:

“grey-white noise, indistinctness. All quiet and softened in, retreating.”

Categories
art drawing

sky drawing

I have been thinking that I’ll draw the sky. Somehow. Or maybe not draw, but at least work with. Start from a feeling of immersion. My main problem : that drawing immersion in sky is a crazy and difficult job, and I don’t know how.

I made an earth drawing instead today – from a video of the mountain. I’d taken the video last night on the way home, just after what would have been sunset, but since it was a cloudy and gloomy evening there was no colour, little light. The drawing needs more work – for me to approach closer to the feeling of last night, and to the evidence of the video. I need to make it fuzzier, less distinct; have less contrast, less interest, less resemblance.

The video is strange and obscure, technically dreadful. I think that what interests me so much about it is just that, its poor quality. I’ve found the outside boundary of the technology, and then crossed over it. The light levels have gone down beyond my camera’s processing capacity – it’s having a breakdown, it can’t find this in its programming, its changing its mind every half a second – what is air and what is objects, what is the appropriate focal distance, what is the space of the mountain? Things recede and return, in and out of focus, all is flattened and fuzzy. Our eyes break down at that light level too, we can’t trust what we see. But we’re better adapted than our phones – we still perceive and still keep some clarity; still retain something of three-dimensionality, the volume of the space, enough to navigate through it.

To return to my idea of drawing immersion in sky, my drawing is a drawing of a place that, because of its shape, is basically all round sky. So I think I can call it an atomosphere drawing, if not a sky drawing.

Categories
light photography

windows, sky

Today I made a new stencil shape based on the kitchen window of the cottage where I grew up, and used it to look up at the evening sky.

Categories
art light

Vatnasafn

I’ve been researching, and I wanted to introduce you to Vatnasafn, the ‘Library of Water’, a sculptural installation created in Iceland by Roni Horn.

Vatnasafn is an archive of waters and weathers, housed in a hill-top building that used to be the town library of Stykkishólmur. Instead of its books, the building now holds a collection of waters in twenty-four tall glass columns, collected as ice from twenty-four of Iceland’s glaciers. The columns are surrounded by windows to the town, sea and sky, with weather words written into the floor, as well as an archive of weather reports from local people.

It is a generous space, where the ‘art’ stands back quietly, and the viewers can find a place for being. For reflection, contemplation and community. A place for feeling out the connections between climate and culture. What we have, and therefore what we stand to lose.

Probably the best thing is to link you to the website, which has pictures.

Categories
Uncategorized

night photos

Been going through my photos and videos, putting them in order so that I can find things.

Found some interesting things.

Found these night photos to share.

This one, a long scroll, a book of the dark.

Categories
light photography

more small framing experiments

a few more small experiments this evening
gusty wind, light rain and a strange glow over the sea

Categories
art painting

mixed-media experiments

A little more playing today inspired by a chat with artist Angela James and her experimental and open approach.

I have made a very tiny test piece this evening – introducing some unusual (unstable) elements: watercolour, plus oil-based materials – safflower oil and turps, a little oil paint, sanding sealer, varnish. I have written down what I used, in the hope that I will remember what I have used…

Categories
art painting

playing with watercolours

Starting today to play with making sky houses

Categories
art light

experiments

Mynydd Llangyndeyrn, 4 to 4.30pm

last of the sun, bone cold, a few flakes of snow falling

making a few small experiments in framing