Rain and low cloud this evening on the mountain – good conditions for observing (and trying to photograph) the moment when things become indeterminate and disappear. Inside cloud, up high near the top, wind blowing and shoving, light rain now on now off, water pooling all around my feet, and feeling myself to be standing at the centre of a circle of invisibility.
This evening much colder.
Up onto Mynydd Llangyndeyrn, following the road to the cattle grids, then crossing the common and climbing up to the right on to the ridge above the standing stone. Walking round to the east.
A hawthorn tree tangled in sky, on the ground low brambles looping and scratching across jeans and boots. Birds passing singly and in small flocks, low, urgent.
Distance disappeared, cloud gradually climbing the dome of the sky from north and west, dim and ominous, bruised and yellow purple, thick with sleety rain. Half a roof covering the high house of the hill. Three quarters now, the lid sliding grey and purple across the moon. Light rain gently falling as we turn back.
Before leaving, letting the silence settle on me, to carry through the evening, back to my other home.
A thread of thought today, about an artist who connects imagination with hope:
The photographer Janelle Lynch has recently made a series of photographs called Another way of Looking at Love, photographs that I saw at the Prix Pictet ‘hope’ exhibition. The photographs are displayed as large format colour prints portraying plant communities. The pictures are taken from a low viewpoint, which has the effect of immersing the viewer in the radiant beauty of the environments she is photographing. The Hudson River Museum website explains a little about the background of the piece:
“the title of the series is a quote from contemporary British philosopher Alain de Botton, who believes that love is about making connections and about long-term, pro-active commitment. His ideas resonated with Lynch, who related them to her own work re-imagining our relationship to nature, the planet, and each other.”
It is so important that Lynch sees her role as that of ‘re-imagining’, and explicitly articulates this in talking about photographs exhibited under the heading of ‘hope’. Lynch clearly sets out in a way that can inspire us all where it is that she holds her hope:
“We are hardwired for connection and our elemental sameness unites us and transcends our apparent differences. Our wellness and the well-being of the world depend on healthy connections to each other and to the earth. Another Way of Looking at Love is borne of awe for the power of nature, and seeks to reimagine our connection to one another, to the planet, and to the generative possibilities of the moment. “
I really encourage you, if you have time, to look at the some of the photos on her webpage: