And a video, a reading of one of my little books of the mountain:
I’ve been printing short randomised parts from my notebook onto small mixed-media photos and watercolour paintings, to make pieces of work in response to walking through the winter months at the mountain at dusk.
In order to do it, I’ve been working on improving my screen printing skills, and finding a good way to set up so that I can print accuately, and very clearly, but with slight faintness, and disappearing out in places. Through a lot of trial and error, I’ve managed to make it work using small screens on a board on the kitchen table, although I still can’t exactly say how to make the images disappear at the edges. I am starting to suspect that it partly has to do with putting packing underneath, and partly has to do with using old pots of ink, and letting the screen dry out a little, not something that is normally advised.
Working on the cyanotypes today, trying things out and making tests, enjoying a bit of sun on the face.
working on these gilded photos again…
The windows in my room face west, and today the sun streamed in, just at five o’clock, lighting up the chair where I was propping up some test paintings.
These paintings are done with watercolour, coffee and ink. I like the coffee because it half resists, half mixes with the paints, but its mucky, especially on absorbent paper like this, so I’m not sure what to do about that. I’ll do some colour testing next – to try and refine things.
I am playing in my mind with different book forms, and am thinking of folding the second of these into a concertina folding book to see whether that is a good move.
Drawing doesn’t have to be on paper, it can be with paper – or today with card and objects.
I don’t have a clear idea where I am going, but I’m wanting to experiment with some artist-book forms, and so I feel like I need to play with shapes, and to bypass my mind and think some things through with directly with my hands. I’m just making a beginning by playing with offcuts of card on my workbench.
Today, a very quick look at a painting and a painter to cheer us up. Click the link to see the painting, which is called ‘make your own damn art’.
The artist is Bob and Roberta Smith (one person). He has painted this using sign-painting techniques, and I love it that he is sending us out of the gallery (in this case the Royal Academy in London), and packing us off home to make our own art using wood recycled from out of a skip. Or anything else we feel like using.
By telling us to ‘make your own damn art’, Bob and Roberta Smith is very succinctly saying that our personal creativity is the route to our empowerment – and it seems that ultimately he has in mind that it is also the route to radical political change. In his film of the same name, he points out the social inequality in our culture ‘sector’. Saying that in his view our culture is being made by ‘a sort of gentry in disguise’, which means that ordinary people’s stories are always getting written out of history, or maybe not getting written in, and that ‘I think art should be made by everybody.’
drawing my pile of acorns today, before I plant them…
Today’s post is just a signpost to my large tree drawings, which I did around this time last year:
Have a look at my tree drawings projects page if you’d like to see more.